![]() Then something or other happened after those first few bars so that that wouldn’t work any more (perhaps the third note of the sequence became some chord?), and it switched to the more typical 1-3-5 (or similar), so that I wonder whether it was really worth the fuss of the unusual fingering and hand placement for just the first few bars. I recently came across a score, Debussy or similar I think, where the left hand is following a pattern of a base note, then ascending by something like a fifth, and then again by something like another octave and in the first roughly four bars, the recommended fingering was along the lines of 3-1-5-yes, it had you turning your hand upside down to finish the run each bar. ![]() ![]() When you get up to more advanced music, suggested fingerings often become more initially surprising, though normally you’ll eventually figure out why they suggested it.
0 Comments
Leave a Reply. |